3.C.1. The Rite of Spring Revisited; Stravinsky’s Stratifications, the Psychology of Meter, and African Polyrhythm Pieter van den Toorn - 28 juin 2017, 14h00-14h30, salle 3206

Sommaire

Le 28 juin 2017
de 14h00 à 14h30

Le Patio (université de Strasbourg)
22 rue René Descartes, 67000 Strasbourg
salle 3206

Séance - Bridging the Twentieth Century: Stravinsky, Varèse, and Boulez

Pré-acte / Acte

Auteur : Pieter van den Toorn

     Many of the dance movements in The Rite of Spring are stratifications, polyrhythmic structures in which there is a superimposition of fragments and patterns that repeat according to varying cycles or spans.  Typically, these repeating fragments are often displaced relative to the meter.  This paper will address the aesthetics of these processes by turning first to the psychology of meter and second to several examples of African polyrhythmic dances.  The completely ahistorical nature of this comparison between Stravinsky and African polyrhythm carries with it a certain fascination of its own.

Musées de la Ville de Strasbourg
Opéra National du Rhin
Conservatoire de Strasbourg
CDMC