Zane Gillespie’s paper “Art as Hypnosis” was published in 2015 by Humanities. His music theoretical research has been accepted for presentation by the 2016 meeting of the New Zealand Musicological Society, Mississippi University for Women’s 2017 Music by Women Festival, and by the Sixtieth College Music Society (CMS) National Conference. The 2016 CMS South-Central Conference selected Zane’s Two Noumenist Poems for performance. His Quartet forAlto Saxophone and Strings was performed at The Eighth Annual Belvedere Chamber Music Festival. Zane’s music earned him the Nancy Van de Vate Composition Award three times from The University of Mississippi (Ole Miss). He holds degrees from Ole Miss (BM; MM), and The University of Memphis (DMA) where he received the Smit Composition Award.
Contact : rzgllspe@memphis.edu
Séance - Leaving – and Regaining – the Shores of Tonality 5.F.6 : A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay
