Christophe Guillotel-Nothmann studied organ, improvisation, linguistics and musicology at the Conservatoire National de Rueil-Malmaison, at the Université de Paris-Sorbonne and at the Humboldt University, Berlin. He received his doctorate with a dissertation on the role of the dissonance in the crystallization of tonal syntax. Between 2007 and 2014 he was a lecturer at the Université Paris-Sorbonne. His research interests include computer-assisted analysis, semiology, and the history of music theory of the 16th and 17th centuries. He has received fellowships from the Herzog August Bibliothek Wolfenbüttel, the Max-Planck-Institut für empirische Ästhetik and the Royal Society of Edinburgh. Since 2017 he holds a post-doc position at the Centre national de la recherche scientifique – Institut de Recherche en musicologie (UMR 8223).
Contact : christophe.guillotel@gmail.com
Séance précomposée - Modal and Tonal Organization in Polyphonic Compositions from the Late Middle Ages to the Early Baroque 6.E.2 : Tonal Coherence in Pre-Modal Polyphony. The Secular Repertoires of the Ars Subtilior
